Written Assignment: Comparing the works of Donatello and Michelangelo

Written Assignment: Comparing the works of Donatello and Michelangelo

Artists can communicate their thoughts through sketching or artwork. A sculpture can help you comprehend the notion that the person who created it was trying to convey. Various artists may make the same painting, yet each has a unique significance. One may compare and contrast the two images depending on each featured attribute. This study aims to reach the masterpieces of Michelangelo and Donatello David directly. The statues  

The background of the David sculpture predates Michelangelo's artistic work from 1501 to 1504. Previously, Duomo's Division of Architecture officials had planned to create twelve Old Testament statues. This represents the commencement of the evolution of Donatello David's sculpting. After Donatello's death, the sculpture was not completed completely. It wasn't until August 16, 1501, that the work on creating the David artwork was renewed. Michelangelo was entrusted with the task of cutting out the sculpture. 

Except for Donatello David, who depicts David following his confrontation with Goliath, Michelangelo David defines David immediately preceding his battle with Goliath. David may be seen gazing from the marble sculpture. He has no idea what will transpire for both himself and Goliath. Rather than just the dead Goliath has seen in Donatello's David, Michelangelo's David appears apprehensive and battle-hardened. His expression, as well as his posture, suggest that he is in movement. Although Michelangelo creates a statue of David that shows him as just a man, Donatello portrays David as a youngster instead of a person. Compared to Donatello's David, Michelangelo's David contains fewer sexual connotations. Michelangelo considers sculpture the most extraordinary form of art because it mimics cosmic creation. Because he values visual arts, he created the sculptor as if it were still in the marble stone from which he curved the sculptures. Michelangelo's David illustrates the understanding that in order important component of human form posing. During the Middle Ages, the style became especially valued to reproduce antique artworks. 

Donatello created his sculpture throughout the early Medieval time. Donatello is seen in the sculptures attempting to incorporate more realistic elements. Is this represented in his sculptures, which have a pouchy stomach and a sagging posterior? On the other hand, Michelangelo's art was created during the Renaissance. An individual can comprehensively know the incident portrayed by the sculptures by studying Michelangelo's artwork. The addition of elements such as muscular forearms on David's face gives the impression that the sculptures show David immediately before the fight with Goliath. 

According to Michelangelo he even execrated the art of David making the finger nails too big which was symbol of the power of God because he had the power from God to defeat Goliath. Although Donatello's David, Michelangelo's David is not seen after defeating his foe. Nevertheless, he is shown as an extraordinarily muscular and masculine figure; the sculptures even displays a frightened expression on David's face, and the carved marble arteries really seemed to pulse with eagerness as he thinks about the approaching encounter. 

Conclusion 

Notwithstanding their differences in scale, the two artworks have similar formal qualities. Because Michelangelo's David is more significant, the artist is able to show human characteristics such as fingers, private parts, and legs more clearly and accurately. Donatello's David has similar attributes as Michelangelo's David, but the sculpture is shorter, making it very difficult for the painter to draw out the details correctly. Such toplessness in Donatello's David, like that of Michelangelo's, is taken from the Christian bible, which identifies David as the biblical character and future ruler.  

 
Reference Italian journal. (2019). IJAE : Italian Journal of Anatomy and Embryology : 124, 2, 2019. IJAE, 124(2), 125–246. https://www.torrossa.com/en/resources/an/4617840#page=81 

Steve’s, R. (2013). Florence, Italy: Michelangelo’s David. Www.youtube.com. https://www.youtube.com/watch?v=_u8LDXhFzPo