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The sculpture "The Education of the Virgin" by Luisa Roldán and the painting "The Education of the Virgin" by Alonso Cano show different but complementary approaches to the Baroque theme. With realistic human connection, Cano's oil painting, distinguished by its dynamic composition and striking chiaroscuro, skillfully captures the emotional intensity of the Virgin Mary's upbringing. Roldán, on the other hand, captured the scene in a timeless contemplative mood in his polychromed wood sculpture, offering a tactile and tranquil interpretation. Roldán's sculptures are imbued with a sense of divine grace and spiritual significance, whereas Cano's sculptures are distinguished by their humanity and emotional depth. By showcasing the various ways Baroque painters investigated religious devotion and imagery, these pieces collectively deepen our understanding of this important era in art history.

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